Ground Zero: Texas

Something’s rotten in the state of Texas, where shape-shifting alien invaders are slowly taking over a sleepy little town on the Mexican border. The military knows exactly what’s going on, but seems completely powerless to stop them. They come up with a covert solution instead. You play as a weapons operative operating a high-tech surveillance system wired in throughout the town. You and that system are the last line of defense before the town gets destroyed – either by the aliens or a government-issue nuclear bomb. Succeed and you’ll get a shot at the alien mothership and save the day. So goes the plot in Ground Zero Texas, another interactive movie offering for your Sega CD, because there certainly aren’t enough of those.

Hot tacos and hot DEATH

Don’t get me wrong, the Sega CD was a great technical innovation. But do you ever get the feeling that developers didn’t really know what to do with it? It’s like they all had meetings and said “Hey, we’ve got this neat little disc that will store a metric shitload of video on it – what can we make a movie out of that could possibly have some kind of gamey element to it?”

Only a handful of developers actually chose to dodge this “movie first, game second” mentality and used the storage space to make better Genesis games – and I’m not talking about the overdone re-releases of old titles with new CD sound. I’m talking about a game like Lunar or Snatcher that used the space to make an expansive world and epic storyline. The rest, like Digital Pictures and Sony Imagesoft, just seemed to sell a video with a weak interactive element tacked on.

Ground Zero is one of those cardboard-cutout plots with trite shooting gallery sections that make up the gameplay. It’s essentially Night Trap with guns – you have four cameras placed around the town and your job is to monitor alien activity and shoot the bad guys when they reveal themselves. Between these sections are looped video clips where you must defend your cameras from attacks by the aliens. The plot has holes the size of… well… Texas, and the shooting gallery sections quickly grow tiresome.

Someone in this drama will probably reveal themselves as an alien.

When you’re not shooting, you’re flicking through feeds like a bored security guard. By default, you’ll see short loops of absolutely nothing – like the side of a wall, or the town plaza. You can switch to any camera at any time, you just won’t see any action. Cameras will flash when an event other than the “default” loop is taking place, and the video starts playing whether you respond or not. Flashing events are important, in the sense that someone will usually get hurt or you’ll get shot at by the end of the segment. This means that a camera can take damage while you’re not watching it, or you could miss saving a civilian or one of your operatives.

Missing events will have an impact on the game. If you don’t save an operative, you’ll miss a vital part of a code required to continue the plot. Miss a civvie, and they may actually return later as a disguised alien. These events can either be a standard shooting gallery, with numerous aliens popping up from hiding to blast you, or a video segment of something going on in town that usually ends in a disguised alien pulling a gun and taking a potshot at you. Later in the game, multiple events will be going on at once and you’ll be forced to decide which are most important, or try and juggle between them all.

All the cameras have shields that you can lower while you’re away from them, but they don’t last very long. They also mask your vision too much to keep lowered and try to aim and shoot. The cameras themselves can take about ten hits, and after five you lose your target bracketing, color, and the video becomes even grainer than usual. If your camera goes down, it may eventually be repaired by your surviving operatives, but you can only lose three for the game.

Camera health isn’t looking too good.

Your cameras will take damage by the way, and tons of it, as the controls are horrible. Each tap of the direction keys move your crosshairs about a full inch, so you will literally draw a square around whatever you’re trying to pinpoint instead of actually landing on it. The aiming controls make it impossible to get through the game without taking a hit, no matter how good you are. You can expect to take many, as the game constantly throws these shooting segments at you (hey, it’s all this game has got!)

If you can keep your cameras alive, and more importantly, choose to keep playing, alien stormtroopers will ransack the town. You’ll be treated to videos of them riding on trucks, shooting laser guns, and lobbing dynamite into the buildings. At least the game has a budget, so you’re going to see real explosions, aliens that explode into parts and gack, and decent optical effects for the lasers. Still, it’s just an excuse to shake up the environments and types of baddies that you will be blasting. You’re still running between four cameras, doing exactly the same thing at a much more frantic pace. As said, frantic is not something the controls support.

Ground Zero shows the usual pixelation, but unless you really are set on having crisp visuals, it’s forgivable here. You’re able to understand everything and see reasonable detail, so the video is passable. You may not see a great level of detail in the shooting sections, where enemies are distant and hiding behind objects, but you’ll always be able to spot motion, and frequently the shadow of someone about to pop out. Even if you can’t do either of those two, the targeting brackets will make it clear who needs shooting – especially in the scenes where an alien breaks its civilian cover and pulls a gun. The brackets will always tell you which guy is the bad guy.

Action definitely heats up when the troopers arrive.

The sound is properly matched with the visuals, and there are plenty of CD-quality alien noises and gunshots. The game even exhibits some randomization, mostly in the order that clips and pop-up bad guys are shown, and keeps good track of who has been abducted and what aliens have gotten away from you. Technically, it’s all there except for the unbearable aiming controls. The plot has you repetitively shooting aliens until you’re bored of it or overwhelmed, and the controls add the killing blow by making the shooting frustrating and unenjoyable.

The simplest way to sum this up is by saying that on the technical side, this is one of the better interactive movies for the Sega CD. On the gameplay side, it’s one of the worst. It does try to give a little more life to the “shooting gallery” genre, and the budget does allow for some Canadian-grade sci-fi. The plot is pure camp, and unfortunately, not enough to keep you pushing through the controls.


The Good

The presentation and randomization seem to work. Cheesy camp that might be fun with better controls.


The Bad

Horrible aiming control in a game where all you do is shoot things.


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